\u00centre pictorii mai vechi ardeleni, r\u0103ma\u0219i credincio\u0219i marii tradi\u021bii, colori\u0219ti de neoromantism, p\u0103sto\u0219i \u0219i grei, \u00eent\u00e2rziind prin cheile de bas ale paletei, \u00eentre culorile prime, trebuie scos \u00een \u00eent\u00e2iul plan Aurel Popp sau Aurel Papp. El se \u021bine deoparte, \u00een S\u0103tmarul lui, deoparte poate \u00een aceea\u0219i m\u0103sur\u0103 de oameni \u0219i de noile curente ale artei. Desenul, incizia, marea compozi\u021bie \u00een ulei, de at\u00e2tea ori de caracter social \u0219i de lupt\u0103 \u00eel arat\u0103 un st\u0103p\u00e2n al me\u0219te\u0219ugului \u0219i un om care a tr\u0103it din plin cu vremea lui. Capul soacrei, at\u00e2t de stilizat, cu \u00eencordarea din p\u0103ienjeni\u0219ul negru al peni\u021bei \u0219i cu \u00eentoarcerea, \u0219i a ei, de la fr\u0103m\u00e2ntarea lumii, cu o privire \u00eentr-o parte, \u00een jos, ca s\u0103 nu vad\u0103, dar nu din \u00eenfr\u00e2ngere, ci din s\u0103turare \u0219i plictis, e bogat c\u00e2t o biografie. Desenele din timpul r\u0103zboiului, cu mizeria istoriei, fiec\u0103rui ins \u00een parte \u0219i comunit\u0103\u021bilor absurde, pus\u0103 violent \u00eentr-un mediu natural meschinizat sau nep\u0103s\u0103tor, l-au ajutat \u0219i mai mult s\u0103 se cunoasc\u0103 \u0219i s\u0103 se realizeze. Aurel Popp nu e un uitat, de\u0219i toate semnele ar putea s\u0103 \u00een\u0219ele. Vechiul Ardeal n-a lichidat, cu toate v\u00e2nturile de modernism care-l sufl\u0103 prin toate ferestrele uitate vrai\u0219te. El n-are s\u0103 se \u00eentoarc\u0103 la ce-a fost, pentru c\u0103 nici n-are nevoie: \u00een ad\u00e2ncul lui, \u00eenc\u0103 e nesim\u021bit acel lucru, bun, patriarhal \u0219i poate pu\u021bin cam \u00eenapoiat, cum ni se par p\u0103rin\u021bii, dar p\u0103str\u0103torul \u0219i creatorul tuturor bunurilor pe care le risipim larg r\u00e2z\u00e2ndu-l. Cu tendin\u021bele lui plastice, nu numai prin ani \u0219i nostalgie, Aurel Popp e al acestui timp \u0219i mediu. Timpul \u0219i mediul \u00eel cer. El se poate valorifica f\u0103r\u0103 team\u0103 de sc\u0103dere \u0219i anacronism. Via\u021ba vie nu e niciodat\u0103 anacronic\u0103.<\/p>\n\n\n\n
Voi fi silit, \u00een al doilea r\u00e2nd, \u0219i tot de porunca mai tare dec\u00e2t mine a realit\u0103\u021bii, eu, care a\u0219 dori s\u0103 m\u0103 p\u0103strez mereu \u00een unitate, pentru ca, \u00een\u021beleg\u00e2nd \u00eensu\u0219i s\u0103 m\u0103 pot face mai u\u0219or \u00een\u021beles s\u0103 grupez dup\u0103 crea\u021bie, \u0219i pe creatori potrivit unui criteriu exterior. Arti\u0219tii rom\u00e2ni ardeleni sunt de trei categorii, cu \u00eensu\u0219iri \u0219i dezvoltare deosebit\u0103: unii propriu-zi\u0219i ardeleni, n\u0103scu\u021bi, tr\u0103itori \u0219i lucr\u00e2nd \u00een Transilvania; al\u021bii n\u0103scu\u021bi sau nu \u00een Transilvania, numai de origine, dar tr\u0103ind \u0219i lucr\u0103tori \u00een \u021bara veche; \u0219i cei din urm\u0103, a\u0219eza\u021bi sau r\u0103t\u0103citori prin str\u0103in\u0103tate. Num\u0103r pe Demian, Ciupe, Aurel Popp, Alexandru Popp, Ladea, sau pe Russu \u0219i Matei, sau pe Popea, Rodica Maniu, Teodorescu-Sion, Jalea, Medrea. Lumea e alta dec\u00e2t a noastr\u0103, precum se va vedea, \u0219i un pictor de-al nostru, care are \u00een acela\u0219i timp, atelier \u00een Bucure\u0219ti \u0219i atelier la Paris \u00eenseamn\u0103 cu totul altceva dec\u00e2t un artist ardelean care a \u00eencercat jocul expatrierilor vremelnice. Omul e prea ad\u00e2nc \u0219i ne\u00eenduplecat, ca s\u0103 nu se cunoasc\u0103. De at\u00e2tea ori \u0219i din aceea\u0219i pricin\u0103 a firii, mult mai mult dec\u00e2t \u00eemprejur\u0103rilor schimb\u0103cioase plecarea lui e f\u0103r\u0103 \u00eentoarcere, pe drumurile p\u0103m\u00e2ntului \u0219i pe drumurile artei.<\/p>\n\n\n\n
<\/p>\n\n\n\n
(Transilvania, Banatul, Cri\u0219ana, Maramure\u0219ul, 1918-1928, vol. II, Bucure\u0219ti, 1929)<\/p>","protected":false},"excerpt":{"rendered":"
\u00centre pictorii mai vechi ardeleni, r\u0103ma\u0219i credincio\u0219i marii tradi\u021bii, colori\u0219ti de neoromantism, p\u0103sto\u0219i \u0219i grei, \u00eent\u00e2rziind prin cheile de bas ale paletei, \u00eentre culorile prime, trebuie scos \u00een \u00eent\u00e2iul plan Aurel Popp sau Aurel Papp. El se \u021bine deoparte, \u00een S\u0103tmarul lui, deoparte poate \u00een aceea\u0219i m\u0103sur\u0103 de oameni \u0219i de noile curente ale artei. […]<\/p>\n","protected":false},"author":1,"featured_media":2231,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2230","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/aurelpopp.ro\/en\/wp-json\/wp\/v2\/posts\/2230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aurelpopp.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aurelpopp.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aurelpopp.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aurelpopp.ro\/en\/wp-json\/wp\/v2\/comments?post=2230"}],"version-history":[{"count":1,"href":"https:\/\/aurelpopp.ro\/en\/wp-json\/wp\/v2\/posts\/2230\/revisions"}],"predecessor-version":[{"id":2232,"href":"https:\/\/aurelpopp.ro\/en\/wp-json\/wp\/v2\/posts\/2230\/revisions\/2232"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aurelpopp.ro\/en\/wp-json\/wp\/v2\/media\/2231"}],"wp:attachment":[{"href":"https:\/\/aurelpopp.ro\/en\/wp-json\/wp\/v2\/media?parent=2230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aurelpopp.ro\/en\/wp-json\/wp\/v2\/categories?post=2230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aurelpopp.ro\/en\/wp-json\/wp\/v2\/tags?post=2230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}